http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub
　　“The end of paradise on earth.”—Jean-Marie Straub
　　The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.
　　“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.
　　In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.
　　So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.
　　During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.
　　The mise en scène of what words exactly?
　　The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.
　　Is “Straubie” Greece?
　　This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich

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O somma luce HD中字

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分类：剧情片 法国 2010

导演：让-马里·斯特劳布   

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片名：O somma luce

别名：O somma luce免费在线播放

电影类别:剧情片

连载状态：完结

发行年份：2010

首映地区：法国

导演：让-马里·斯特劳布

演员：Giorgio Passerone

更新时间：2024-04-22 06:12

常见问题:

《O somma luce》剧情片电影演员有哪些

网友：有以下演员主演：Giorgio Passerone 。

《O somma luce》有哪些槽点？

《O somma luce》这部剧的题材是一部剧情片，但是《O somma luce》这部剧给大家的整体风格却是一部喜剧，丝毫没有一部剧情片的感觉，这也是大家吐槽的第一个地方，先不说这部剧《O somma luce》的主演Giorgio Passerone的演技如何，光光看《O somma luce》这部剧的逻辑和节奏，就丝毫没有一部剧情片的感觉，《O somma luce》剧中最大的一个特点就是剧情过于套路化，好像所有的情节都是按照《O somma luce》剧本的发展一样，丝毫没有创新，这也与本剧的导演让-马里·斯特劳布密切相关的。一部好的剧情片应该有一个优秀的导演导演可以让这部剧的情节跌宕起伏，激发观众的观看兴趣。同时这部剧在开播之前也没有进行大方面的宣传导致观众对这部剧的了解非常少，《O somma luce》的热度也因此不断下降， 一部优秀的剧情片尤其是像《O somma luce》这样热度非常高的剧情片系列不应该过度地注重主角，而是要注重《O somma luce》剧情本身一部剧情片的灵魂就是这部剧的情节，如果情节中都存在瑕疵，又怎样引起观众的兴趣。

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